日本動畫
佩琳是一位心地善良的少女，她與父親艾德蒙與母親瑪麗一家三口，一路經營行動照相館的生意，並以父親的故鄉，法國的馬羅克爾為旅途目標。 自從艾德蒙在旅途中於波士尼亞病逝後，她一直與瑪麗相依為命，並在旅途中沿路受到一些善心人士的幫助。但在終於抵達法國後瑪麗卻在巴黎不幸染病過世，佩琳變成父母雙亡的孤兒。她帶著瑪麗的遺言到達馬羅克爾，發現祖父比爾法蘭竟是當地的大企業家，而且得知他雙目失明，個性嚴厲還相當痛恨母親，同時也想起瑪麗曾經對她提起過「祖父也許並不會歡迎妳」，所以佩琳決定避開祖父並隱瞞自己的真實身分，以假名「歐蕾莉」在爺爺經營的紡織工廠工作。
日本動畫
1977年末に単発のスペシャル番組として、水原勇気の入団騒動を描いた第1話が、フジテレビの金曜日20:00-20:54枠（『金曜ファミリーアワー』內）で放送される。好評につき翌年の1978年5月-9月にかけて、毎月1回のスペシャル番組として第2-6話までの継続放送が決定。同年11月からは、月曜日20:00-20:54枠で放送されていた『アメリカ大リーグアワー』の後番組として、第7話から毎週1回のレギュラー放送へ昇格した。その後は、2001年放映の『フィギュア17 つばさ&ヒカル』まで、毎回1時間枠のテレビアニメは放送されることがなく、1時間枠で毎週放送となると、2009年現在でも本作以外には存在しない。<br /> 水原勇気編は第11話で終了し、第12話からは岩田鉄五郎が主役の「よれよれ18番」を皮切りに、勇気入団以前の各キャラクター編（第12話以降の勇気はオープニング映像にしか登場しない）が描かれるという、原作とは逆の構成で全25話が放送された。<br /> <br /> <br /> 本片放送比較奇葩 1977年12月23日放送第1話，1978年5月20日-9月15日放送第2-6話（毎月1話），11月6日-1979年3月26日再次每周放送直至25結束。
東京電影新社
主角魯邦三世是怪盜紳士亞森·魯邦的孫子，他被稱為世界上最傑出的盜賊，在偷東西前總是會發出預告信。他與拔槍只需0.3秒的神槍手次元大介、無所不斬的居合道高手石川五右衛門和神秘歐亞混血女盜賊峰不二子合作偷遍全世界。警視廳警部錢形幸一是錢形平次的後代，一直想要拘捕他們，但每一次都以失敗告終。
Group TAC
An omnibus-format TV series consisting of anime adaptations of Japanese folk tales, this is one of Japan's longest-running TV series, and Group Tac's second TV series (the first was The Road to Munich, a documentary anime about the 1972 Olympics). The governing rule of the series was that the creative staff change from episode to episode. While later other anime series like Nippon Animation's Famous Works of Japanese Literature would attempt the same, none would be as long-lived or successful. The rotation idea was that of director Sugii Gisaburo, a visual visionary unequaled in Japanese film history who has revolutionized anime several times in his career, be it in the 1967 TV series Goku's Big Adventure, in which he sought to shake anime free from the dominance of story development by yanking it back to a more cartoonish form, or The Belladonna of Sadness, where he broke the Disney full-animation mold, creating a full-length animated film in a completely new style that was a hybrid of still drawings and animation. The reason for rotating the staff each episode was so that each episode would have a completely different look and feel from its predecessor, and in this it was eminently successful. This is a series that is genuinely rewarding to watch, and is visually one of the richest in anime history. While this system also meant that quality varied, there were also occasionally superb episodes, as on the staff were many veterans like Group Tac founder SUGII Gisaburo himself, SHIBAYAMA Tsutomu, FURUZAWA Hideo, RIN Taro, and HIKONE Norio. Old episodes started being repeated more and more frequently as the years went on, and production of new episodes finally ceased completely in late 1995, but the series is still widely broadcast. (Source: Pelleas)
